“I now believe there is a God…I now think it [the evidence] does point to a creative Intelligence almost entirely because of the DNA investigations. What I think the DNA material has done is that it has shown, by the almost unbelievable complexity of the arrangements which which are needed to produce life, that intelligence must have been involved in getting these extraordinarily diverse elements to work together.”
― Antony Flew (1923 – 2010) A prominent philosopher and atheist who changed his mind
Beauty fits better in a world with God than in a world without God… The secular worldview of naturalism says that God does not exist and that life in this world is the product of mindless, unguided natural evolutionary processes. But according to naturalism, evolution runs exclusively on the track of survivability. So how does the mechanism of naturalistic evolution driven by survivability produce artistic beauty when aesthetics doesn’t seem to contribute to survivability? Put another way, why so much beauty and creatures that can appreciate beauty when beauty doesn’t contribute to human survival? This is known as the problem of nonutilitarian or nonuseful values: beauty does not seem to be survival-conducive.
In evaluating this argument, consider the words of Christian philosopher William C. Davis: “If everything (including humanity) is the result of random, impersonal forces which encouraged only survival, then it seems highly unlikely that the process would yield organisms (humans) which recognized values like these [artistic beauty] which aren’t survival-conducive… But values like these [artistic beauty] are what we would expect if humans (and the human environment) were created by a personal, loving, and beauty-valuing God. God’s existence is a much better explanation for the existence of nonutilitarian value than any explanation without God.” [Reason for the Hope Within]
Ever heard of the Fibonacci sequence? It is a sequence of numbers where each one is the sum of the previous two numbers. The sequence runs 0, 1, 2, 3, 5, 8, 13, 21, 34, and so on. What’s fascinating about the Fibonacci sequence is that when you make squares the size of the numbers, it creates a beautiful spiral image.
The “Fibonacci spiral” is found everywhere. It is to be seen in plant leaves, pine cones, seashells, pineapples, ferns, daisies, artichokes, sunflowers and even galaxies. It’s in the arrangement of seeds on flowers. It’s in starfish. It’s in the cochlea of your inner ear, which is not simply a spiraled shape, it’s the actual Fibonacci spiral, with the exact number sequence. There is a mysterious intricate embedded order, intelligence and design in nature. What is behind this mind-boggling sophisticated artistry?
We are told that extraordinary claims require extraordinary evidence. Similarly, extraordinary design requires an extraordinary designer. You are free to believe that all of this magnificence is simply the result of unplanned fortuitous collisions of molecules—a belief that requires faith of an extraordinary caliber. Or you can accept a more sensible explanation—this artwork is the work of an Artist, the work of a wise and skilled Creator. But please don’t parrot the nonsense that theists are people of blind faith. Blind faith is exercised remarkably well by skeptics.